
Eloise Ullman |
Inside a
beautiful state residence on the edge of an Eastern European city, four women
wait. They talk--Toy Story 2, Prada handbags, chilli vodka... anything. A
foreign journalist has arrived at this home to photograph the country’s dictator
for a magazine profile. His wife strains to appear composed even as the mob
closes in on the house. On the cell phone, the journalist labors to get news of
the riots on the other side of the river. And her translator is casually
stealing from the house and muddying the conversation by selectively filtering
information. Further mystifying things is the sudden arrival of the wife’s best
friend. What does the wife know of her husband’s alleged atrocities? What
terrible secret is the best friend hiding? Is she only feigning friendship out
of political necessity? As snow falls outside, civil war looms ever nearer, and
in the end, it becomes clear that the wife’s dignified patience is not for her
husband – who is not coming – but for the mob which is advancing upon the house,
and we are chillingly reminded of the overwhelming effect people’s choices have
on others, and the price that must be paid for our complicity in those choices.
With wit and a characteristic delight in the strange, Abi Morgan’s writing
brilliantly encompasses both the cruel veneer of our lives and the beating heart
within. |

Barbara Marder - Director |